EXHIBITIONS

EXHIBITIONS

UP & COMING

UP & COMING

Black and white poster for an exhibition titled 'Friends of Cornwall Community Darkroom' featuring a photograph of a flag on a pole in a natural landscape with bushes and moorland. The poster lists photographers' names and event details, including the opening date, hours, and location at Toner, Penzance.

Join us at TONER on the 9th of January for an exhibition and print auction to support the cornwall community darkroom.

EXTENDED TO 30.1.26

AUCTION HERE

PHOTOGRAPHERS:

ALFI MOSS-WHITE, ARCHIBALD ROBINSON, BEN TREDINNICK

CELIA CROFT, COLE FLYNN QUIRKE, COLM MOORE,

FRAN ROWSE. JAY IZZARD, JO PATERSON, LAUREL THOMA, 

LUCAS EDWARDS, MATT MARTIN, NICK PUMPHREYS 

& MORE

OPENING 9TH OF JANUARY 5-8PM

ON DISPLAY TILL THE 30TH OF JANUARY 2026

TONER, 61-62 CHAPEL STREET, PENZANCE


Poster advertising a photography exhibition titled "Following the Red River" by Jem Southam, featuring works by multiple artists, opening on February 8th, 2026, at TONER in Penzance, with details about the exhibition and participation.

TONER is excited to present a group exhibition with photographer jem southam on February 8th at TONER in Penzance.

Part of our 2026 workshop series Toner invites jem southam and a group of 10 photographers to re document the Red River, one of Jem’s most seminal books.

On the 7th of February the group will explore and connect with locations from the Red River making work around each site. Then on Sunday these works will be printed and displayed in the gallery alongside Jem’s work as well as a publication that will be available to the public. Please join us for the opening on Sunday 8th of February between 6-8pm.

The exhibition will feature:
Allan Stone @stoneallanstone
Samuel Fath @samuelfath
Owen Richards @owenrichards
Gem Atkinson @dropsofdiamond
Anthony Hopewell @anthony.hopewell
Keith Mason @keithmasonphotography
Gin Rimmington Jones @ginrimjon
Sam Fleming @steez80
Dave Dooley @forgedlinks
Max Searl @maxsearl
Jem Southam


Poster for an art exhibition titled "Landing" by Ella Thomson, running from March 8 to March 21, 2026. The poster features a photo of a rocky canyon or crevice with a view of the sky above, along with smaller images of nature and rock formations, and a map or layout of the exhibition space.

Toner is excited to present LANDING an exhibition and workshop by photographer and artist Ella Thomson, WINNER OF THE PHOTOCOPY CLUB 2025 ZINE AWARDS!

Opening at TONER on the 8th of March 4-7pm and running till the 21st of March 2026 -

Ella Thomson is a photographer whose work explores our relationship with land, place and environmental responsibility. Motivated by a growing awareness of how disconnected people in the UK are from nature, her project Landing responds through close, embodied engagement with landscape rather than distant observation.

Challenging traditional landscape photography, Thomson moves away from idealised vistas to focus on touch, movement and lived experience. Influenced by ideas of ecological alienation and ‘eco-haptic’ practices, her work foregrounds intimacy, process and care. Photographs and texts are presented through zines printed on agricultural waste, reinforcing the project’s material and ethical concerns.

Developed through walks and climbs across Silverdale, Malham, Great Langdale and Chwarel Dinorwig, Thomson’s work invites viewers to slow down, look closely and cultivate a more attentive, responsible relationship with the land.

The exhibition will be split into 2 parts, with one side of the gallery focusing on Ell’s Landing exhibition and the 2nd part being a creative group response to the work from a 2 day workshop here in Cornwall. Click here for workshop information


An art exhibition poster titled "Seeing the Unseen" by Peter Fraser, showing a lit light bulb with smoke rising, placed on a surface. Behind it, there are doodles on the wall, including a cartoon face, a flag, and speech bubbles with text. The lower part of the poster provides exhibition details, including dates, times, and location at Toner, Penzance, Cornwall.

TONER IS EXCITED TO PRESENT: SEEING THE UNSEEN, A GROUP EXHIBITION WITH PETER FRASER

OPENING SUNDAY 29.3.26 - 5-8pm & ON DISPLAY TILL THE 8.4.26

Peter Fraser is one of the UK’s most distinctive photographers, known for his pioneering exploration of the everyday and his influence on contemporary colour photography. His work has been exhibited internationally and is held in major collections including Tate, the Victoria & Albert Museum, and The Arts Council Collection. Fraser’s 2013 Tate Retrospective in St Ives was the first Tate Retrospective given to a living British Photographer.

THE EXHIBITION IS A GROUP SHOW FEATURING PHOTOGRAPHERS WHO HAVE JOINED PETER ON A WORKSHOP THE PREVIOUS DAY, ALL THE WORK WILL BE CREATED AROUND WEST PENWITH WITHIN 24 HOURS AND THEN EXHIBITED AT TONER.

PLEASE JOIN US FOR THE PUBLIC VIEWING on Sunday 29th of March 5-8pm


A black and white photo of a girl standing on a sloped rooftop holding a rope in each hand, with her arms extended outward. Text on the left side in red says 'PERIPHERAL VISION,' and a red band at the bottom contains exhibition details, including dates and location.

PERIPHERAL VISION Exhibition at TONER Gallery, Penzance | 10–25 April 2026

OPENING NIGHT 5-8PM 10.4.26

WORKSHOP INFORMATION

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When we look at photographs, attention usually settles on what is visible in the frame. Peripheral Vision asks a more practical question: what relationships had to exist for these images to come into being?

The four photographers in this exhibition work through duration. Their images are made through repeated return: to places, to people, to gestures, to situations that only reveal themselves through sustained presence. What is visible here carries the weight of time spent in contact — negotiation, care, friction, and commitment.

Maria Meco’s photographs grow out of her impression of and sensitivity towards cultivated gardens shaped by human and non-human collaboration, attending to their cycles and dependencies.

Gabrielė Žukauskaitė photographs from within lived processes of migration and (re)settlement. Her work dwells on thresholds—between arrival and familiarity, presence and distance—tracing how places gradually reorganise perception when you stay long enough to become shaped by them.

Polly Hardwicke's images emerge from extended relational closeness. They are formed through consent, exposure, and mutual endurance, allowing bodies to appear without performance or display.

Viviana Almas returns to gestures, symbols, and materials until images accumulate ceremonial weight. What appears staged is enacted; what feels symbolic has been lived.

Across the exhibition, photography functions less as capture and more as consequence. These works are shaped by how attention is sustained, how proximity is negotiated, and how observing becomes a practice embedded in lived experience and its material traces.

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ABOUT THE ARTISTS

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Maria Meco is a Spanish photographer based in London whose work explores intimacy between strangers and the delicate chemistry of shared vulnerability. Her practice moves between fiction and reality—fiction as her chosen way of portraying the world, reality as the emotions that existed before she pressed the shutter. Her work has appeared in Portrait of Britain, Creative Review, Aesthetica Magazine, and True Photo Journal. Maria is also a keen gardener who cultivates spaces where multiple species entangle—her photographic practice emerges from this relational attention.

Polly Hardwicke is an English artist raised in London and currently studying BA Photography at the University of West England in Bristol. Her practice primarily draws on traditional studio techniques, incorporating portraiture and still life while also drawing parallels between local landscapes and the body.

Viviana Almas is a Lithuanian-American artist based in England working with film photography, motion picture, and printmaking. Her commitment to analog processes—particularly photo etching—reflects a practice built on repetition and material intimacy. Her work has been exhibited at KKKC (Lithuania), JB Blunk Estate (San Francisco), and Truman Brewery (London).

Gabrielė Žukauskaitė is a Lithuanian photographer and anthropologist based in Vilnius. She works with film, photographing people, bodies, night walks, and coastal landscapes—close encounters with the textures of everyday environments. Her background in medical anthropology shapes how she attends to embodiment and change. She coordinates projects with KONTEKST, an independent collective of artists, anthropologists, and filmmakers. Publications include Unpsychology Magazine, Mahala Magazine, and Vehicular Glare.

PAST EXHIBITIONS

PAST EXHIBITIONS

Poster advertising an exhibition and book launch by Rosie Klsikey, titled 'An Daras,' featuring a photograph of a grassy landscape viewed through an oval-shaped hole in a rock or wall, with a white line drawing of a child wearing a hat and playing a flute, accompanied by a bird.

We are super excited to announce our October exhibition AN DARAS by Lowenna Rose Kliskey @lowennaktattoo -

Rosie’s new body of work recently published by @ancientmagic.books is now exhibiting at TONER throughout October -

Inspired by the ancient landscape of West Penwith in Cornwall, Rosie takes a fine tuned look at the sites riddled with tales of witchcraft and folklore. Standing stones, Holy Wells and natural geology are Rosie’s main focus coupled with the traces that people have left behind at these sites.

The book includes a number of Rosie’s drawings, and a holographic sticker inspired by the folklore of West Penwith. You can grab a copy of the book instore or

A poster advertising an art exhibition and book launch by Reuben Holmes, featuring black and white photographs and sketches of rocks and landscapes, with opening dates and location details.

STONED BY REUBEN HOLMES

OPENING 29.8.25 AND RUNNING TILL THE 13.9.25


Stoned is an exhibition, and zine, blurring the lines between frottaging, photography and fun.

Echoing the strong granite landscape that surrounds us all, herein penwith. This is Reuben’s version of field notes from the explorations he’s been on both in mind and on paper.

Stemming from building hedges, the stones used are bigger and betterer than before.

Come and join us on opening night to collaborate, share the obsession and most importantly enjoy this body of work.

A poster advertising a photography exhibition by Lucy Bentley titled 'MORVOREN' running from July 31st to August 9th at Toner in Penzance, featuring an image of a whirlpool or vortex in water, with a red illustration of a castle or building and red text with event details.

MORVOREN BY LUCY BENTLEY,

EXHIBITION OPENING 31ST OF JULY 6-9PM,

RUNNING 31ST - 9TH AUGUST

Morvoren (‘Mermaid’ in Cornish), draws on childhood interest in local folklore to explore the psychological landscape of growing up in Cornwall, revealing the hidden femininity of the Celtic county. Intimate memories of the land and its ancient lore evoke a sense of native estrangement, plunging the viewer into an alien world. The guiding figure of the Morvoren alludes to the cautionary origin of Cornish mermaid tales now applied to the age of anxiety concerning the natural world, as well as the social issues deep-rooted within the county. 

Poster for an exhibition titled 'Tin Pest' by Becky Tyrrell featuring an image of a tin with the words 'T and PEST' engraved on it, decorated with tomatoes, flowers, and a dessert with a cinnamon stick, all on a red and white checkered tablecloth.

TIN PEST BY BECKY TYRRELL

EXHIBITION OPENING 17TH OF JULY 6-9PM

RUNNING 17th - 27th JULY

TIN PEST is a new body of work from award-winning photographer Becky Tyrrell.

A playful deviation from her BJP-winning portrait photography, Becky explores what it means to be a resident in Cornwall with all it produces and stands for.

from ancient history and neolithic stone structures, it’s contribution to the Bronze Age through tin and mining, to more modern affiliations and afflictions including holiday lets, second homes, and Instagrammable tourism.


A new way of working with her hands and using narrative saw Becky create a series of temporary living sculptures which were photographed then destroyed.

Each sculpture brings together carefully selected combinations of gifted and found objects, including stone and tin from Geevor Tin Mine, vegetables, flowers and fruit given to Becky from friends and family, and references to sellable Cornish relics and lifestyle choices, which she describes as “the performative fetishisation of rural life.”


“There are times when firewood feels so much more valuable than money. As a seasoned holiday cottage cleaner, I ponder the different ways to see a lockbox—as long as you’ve got the code, two very different experiences await you.”


Threaded through the work is Becky’s own personal story and history, as well as a deep connection to nature and her environment. She describes moving through the dark retreat of winter to observing nature’s “look at me, pick me!” abundance in the summer months. Becky brings together her obsessions with a curiosity for anecdote, freedom, and all the idiosyncrasies of living along the west Penwith peninsula.

Poster for 'Hearings,' a photographic exhibition celebrating skateboarding in Cornwall, curated by Zac Henshall. Features a central photograph of a skateboarder airborne over a stone formation, with a list of featured artists. Exhibition dates: June 26th to July 6th at Toner Gallery, Penzance.

BEARINGS is a visual exploration of the fostered community created through local skate culture, uniting generations and backgrounds in one celebration of passion, skill and sport.

Skating goes beyond the board, acting as youth clubs, communities, and places of connection and belonging unrestricted by age or ability. This exhibition is a collection of photographs showcasing the feeling of place created by the local Cornish skate scene. With photography by skaters spanning generations, from local teens documenting friends with make-do-cameras to published professionals, this body of work is a collective expression of their relationship to Cornwall’s skate scene.

Through these images, BEARINGS invites viewers to step into the scene these skaters inhabit, exploring how skate culture can foster resilience, inspire creativity, and anchor identity.

FEATURING:

Zac Henshall, Rich Adams, Leo Sharp, Danny Parker, Jayden Dunkley, George Cooke, Ezra Boulton, Anthony Allen, Jack Sedgwick, ROSIE KLISKEY AND MORE TBA

Black and white poster for "Convergence" art exhibition at Toner, Penzance, featuring two men leaning on each other and promotional text.

EXHIBITION: Convergence  - opening 18th of june 5-8pm, on display 18th to the 22nd of june.

A collection of photography by recent Falmouth graduates, exploring the human form and the spaces we inhabit - constructed and natural, literal and figurative. 

Through a diverse range of practices, the artists look at themes of; disconnection with nature, family intimacy, religious influence, masculinity, the preservation of slowness, brutalism and the naked Body. 

Photographers:

Friedericke Allen - @friedericke_annaclara

Lottie Robinson -@lottierobinsonphoto

Izzy Grooms - @izzygroomsphoto

Emma Mole - @emmamole_

Ellen Magee - @ellen_magee_photography

Daisy Pooke - @daisypookephoto

Josh Large - @joshlarge_

Exhibition and book launch poster for "Basalt" by James Meredew. Features a black and white image of a cross embedded in white paint on a rocky surface. Event details: Opening night on June 6, 6-9 PM. Display from June 6-14 at 61-62 Chapel Street, Penzance. Open Wednesday to Saturday, 11 AM to 4 PM. Organized by Ancient Magic and TONER.

BASALT BY JAMES MEREDEW -

AN EXHIBITION AND BOOK LAUNCH OPENING 6TH OF JUNE 6-9PM

Event poster for "Wind Screen" exhibition featuring photo of flipped car and people. Location: Toner Photography Gallery, Chapel Street, PZ. Exhibition runs Wednesday to Saturday, 11 AM - 4 PM, extended to May 3rd, with a closing party on May 3rd, 5-8 PM. Artists include Archie Robinson, Ben Weller, and others.

WIND SCREEN: A Visual Study from a Motor Vehicle

OPENS 10.4.25 - PENZANCE - CLOSING 3RD OF MAY

Curated by Matt Martin, TONER.

"WIND SCREEN: A Visual Study from a Motor Vehicle" invites viewers to explore the intimate, often fleeting, and elusive landscapes captured through the lens of photographers looking out from the confines of a moving car.

This group exhibition assembles a diverse body of work that stretches the boundaries of travel, motion, and perception, bringing together photographs taken from the unique vantage point of a motor vehicle — where the view is constantly shifting, fragmentary, and fragmented by the speed of movement and the frame of the window.

The act of photographing from a car is not new. In fact, it finds its roots in the mid-20th century when photographers such as Robert Frank and William Eggleston began to explore the theme of American highways and the culture of travel through their car windows. Frank's iconic The Americans and Eggleston's early colour photographs captured both the mundane and the poetic within the context of a moving, shifting world. These early works established the car as a mobile studio, a lens through which the rapidly changing world could be observed, both distant and intimate. The transient nature of the car window as a frame allowed for an exploration of the fleeting moments that otherwise might escape our attention -fragmented scenes of life as it happens, whether on highways, side streets, or city backdrops.

In "WIND SCREEN," contemporary photographers continue to explore this tradition but with fresh perspectives. The exhibition features work from Archie Robinson, Ben Weller, Becky Tyrrell, Bryan Schutmaat, Bryony Good, Charlie Jay, Chris Mann, Ed Templeton, Ingrid Pop, James John Midwinter, James Meredew, Jackson Whitefield, Jack Johns, Jon Denham, Jamie Hawkesworth, Laura McCluskey, Max Searl, Matt Martin, Nick Pumphrey, Rosie Kliskey, Valerie Phillips, and Vanessa Winship. Each photographer brings their personal vision and narrative, resulting in a rich and varied collection that highlights the intersections of technology, mobility, and the human experience.

In the context of Cornwall, the act of photographing from a vehicle takes on a distinct resonance. The rural roads, winding coastal paths, and dramatic landscapes of Cornwall are themselves a kind of photographic journey-one that mirrors the essence of the traditional photographic road trip. Yet, unlike the expansive highways of the American West or the wide-open roads of Europe, Cornwall's narrow lanes, picturesque villages, and ever-changing weather patterns offer a more intimate, often more challenging, encounter with the landscape. In this sense, the road trip in Cornwall becomes not just a physical journey, but an emotional one. The experience of driving through this unique region-sometimes isolated, sometimes surrounded by the sea-resonates with the work of the photographers in this exhibition, who similarly navigate between moments of connection and solitude, speed and stillness, presence and absence.

From the blurred lines of passing streets to the stark, distant horizons seen through rain-speckled windows, these images evoke the simultaneity of speed, isolation, and connection. There is a tension in photographing from a car, where the photographer is both a passive observer and an active participant, constantly aware of the world slipping away behind them as they race forward. This sense of movement, of what is missed as much as what is captured, is a central theme in much of the work presented here.

As you move through the exhibition, you will witness the delicate balance between intention and spontaneity. From the uncanny calm of Ingrid Pop's wide-angle vistas to the raw, unsparing observations in the work of Ed Templeton, the exhibition highlights the diversity of approaches to this shared theme. The images reflect an ever-changing world-one that is constantly evolving, filled with movement, light, and fleeting moments that only a motor vehicle can frame.

"WIND SCREEN: A Visual Study from a Motor Vehicle Opens on the 10th of April at TONER, 61-62 Chapel Street and will be on display from the 11th to the 20th of April. Please email info@tonerpz.com for any other information.

Promotional poster for "Flowing View: A Photographic Work in Progress" by Matt Martin, featuring a street scene at sunset with power lines, a red lantern, and building silhouettes. Exhibition details are included for an event at Toner in Penzance, Cornwall.

Matt Martin – Flowing View: A Photographic Work in Progress
Opening May 10th, 5–8pm | On view until May 31st

Flowing View is a photographic exhibition by Matt Martin, created during his time in Japan in 2023. At its core, the project is an exploration of photography not just as a means of documentation, but as a fluid, ever-changing process.

Through a series of prints and artist books, Martin reworks and reinterprets his images—often revisiting the same frame multiple times. Cropping, layering, sequencing, and printing are treated as acts of play, allowing the photographic material to shift in meaning and form. In this way, Flowing View reflects photography’s ability to be both fixed and in flux, static and dynamic.

This is a work in progress exhibition, intentionally unfinished. It offers the audience a rare opportunity to witness the life of photographs as they evolve. Viewers are invited to take part in the process—reproducing and rearranging elements of the work within the space itself. By opening the exhibition to participation, Martin breaks down the traditional separation between artist, viewer, and curator, turning the gallery into a site of shared authorship.

Flowing View challenges the idea of the photograph as a final object, instead presenting it as something alive—shaped by time, context, and interaction.