EXHIBITIONS

EXHIBITIONS

UP & COMING

UP & COMING

Exhibition and book launch poster for "Basalt" by James Meredew. Features a black and white image of a cross embedded in white paint on a rocky surface. Event details: Opening night on June 6, 6-9 PM. Display from June 6-14 at 61-62 Chapel Street, Penzance. Open Wednesday to Saturday, 11 AM to 4 PM. Organized by Ancient Magic and TONER.

BASALT BY JAMES MEREDEW -

AN EXHIBITION AND BOOK LAUNCH OPENING 6TH OF JUNE 6-9PM

Black and white poster for "Convergence" art exhibition at Toner, Penzance, featuring two men leaning on each other and promotional text.

EXHIBITION: Convergence  - opening 18th of june 5-8pm, on display 18th to the 22nd of june.

A collection of photography by recent Falmouth graduates, exploring the human form and the spaces we inhabit - constructed and natural, literal and figurative. 

Through a diverse range of practices, the artists look at themes of; disconnection with nature, family intimacy, religious influence, masculinity, the preservation of slowness, brutalism and the naked Body. 

Photographers:

Friedericke Allen - @friedericke_annaclara

Lottie Robinson -@lottierobinsonphoto

Izzy Grooms - @izzygroomsphoto

Emma Mole - @emmamole_

Ellen Magee - @ellen_magee_photography

Daisy Pooke - @daisypookephoto

Josh Large - @joshlarge_

BEARINGS is a visual exploration of the fostered community created through local skate culture, uniting generations and backgrounds in one celebration of passion, skill and sport.

Skating goes beyond the board, acting as youth clubs, communities, and places of connection and belonging unrestricted by age or ability. This exhibition is a collection of photographs showcasing the feeling of place created by the local Cornish skate scene. With photography by skaters spanning generations, from local teens documenting friends with make-do-cameras to published professionals, this body of work is a collective expression of their relationship to Cornwall’s skate scene.

Through these images, BEARINGS invites viewers to step into the scene these skaters inhabit, exploring how skate culture can foster resilience, inspire creativity, and anchor identity.

FEATURING:

Zac Henshall, Rich Adams, Leo Sharp, Danny Parker, Jayden Dunkley, George Cooke, Ezra Boulton, Anthony Allen, Jack Sedgwick, ROSIE KLISKEY AND MORE TBA

MORVOREN BY LUCY BENTLEY,

EXHIBITION OPENING 31ST OF JULY 6-9PM,

RUNNING 31ST - 4TH AUGUST

Morvoren (‘Mermaid’ in Cornish), draws on childhood interest in local folklore to explore the psychological landscape of growing up in Cornwall, revealing the hidden femininity of the Celtic county. Intimate memories of the land and its ancient lore evoke a sense of native estrangement, plunging the viewer into an alien world. The guiding figure of the Morvoren alludes to the cautionary origin of Cornish mermaid tales now applied to the age of anxiety concerning the natural world, as well as the social issues deep-rooted within the county. 

PAST EXHIBITIONS

PAST EXHIBITIONS

Event poster for "Wind Screen" exhibition featuring photo of flipped car and people. Location: Toner Photography Gallery, Chapel Street, PZ. Exhibition runs Wednesday to Saturday, 11 AM - 4 PM, extended to May 3rd, with a closing party on May 3rd, 5-8 PM. Artists include Archie Robinson, Ben Weller, and others.

WIND SCREEN: A Visual Study from a Motor Vehicle

OPENS 10.4.25 - PENZANCE - CLOSING 3RD OF MAY

Curated by Matt Martin, TONER.

"WIND SCREEN: A Visual Study from a Motor Vehicle" invites viewers to explore the intimate, often fleeting, and elusive landscapes captured through the lens of photographers looking out from the confines of a moving car.

This group exhibition assembles a diverse body of work that stretches the boundaries of travel, motion, and perception, bringing together photographs taken from the unique vantage point of a motor vehicle — where the view is constantly shifting, fragmentary, and fragmented by the speed of movement and the frame of the window.

The act of photographing from a car is not new. In fact, it finds its roots in the mid-20th century when photographers such as Robert Frank and William Eggleston began to explore the theme of American highways and the culture of travel through their car windows. Frank's iconic The Americans and Eggleston's early colour photographs captured both the mundane and the poetic within the context of a moving, shifting world. These early works established the car as a mobile studio, a lens through which the rapidly changing world could be observed, both distant and intimate. The transient nature of the car window as a frame allowed for an exploration of the fleeting moments that otherwise might escape our attention -fragmented scenes of life as it happens, whether on highways, side streets, or city backdrops.

In "WIND SCREEN," contemporary photographers continue to explore this tradition but with fresh perspectives. The exhibition features work from Archie Robinson, Ben Weller, Becky Tyrrell, Bryan Schutmaat, Bryony Good, Charlie Jay, Chris Mann, Ed Templeton, Ingrid Pop, James John Midwinter, James Meredew, Jackson Whitefield, Jack Johns, Jon Denham, Jamie Hawkesworth, Laura McCluskey, Max Searl, Matt Martin, Nick Pumphrey, Rosie Kliskey, Valerie Phillips, and Vanessa Winship. Each photographer brings their personal vision and narrative, resulting in a rich and varied collection that highlights the intersections of technology, mobility, and the human experience.

In the context of Cornwall, the act of photographing from a vehicle takes on a distinct resonance. The rural roads, winding coastal paths, and dramatic landscapes of Cornwall are themselves a kind of photographic journey-one that mirrors the essence of the traditional photographic road trip. Yet, unlike the expansive highways of the American West or the wide-open roads of Europe, Cornwall's narrow lanes, picturesque villages, and ever-changing weather patterns offer a more intimate, often more challenging, encounter with the landscape. In this sense, the road trip in Cornwall becomes not just a physical journey, but an emotional one. The experience of driving through this unique region-sometimes isolated, sometimes surrounded by the sea-resonates with the work of the photographers in this exhibition, who similarly navigate between moments of connection and solitude, speed and stillness, presence and absence.

From the blurred lines of passing streets to the stark, distant horizons seen through rain-speckled windows, these images evoke the simultaneity of speed, isolation, and connection. There is a tension in photographing from a car, where the photographer is both a passive observer and an active participant, constantly aware of the world slipping away behind them as they race forward. This sense of movement, of what is missed as much as what is captured, is a central theme in much of the work presented here.

As you move through the exhibition, you will witness the delicate balance between intention and spontaneity. From the uncanny calm of Ingrid Pop's wide-angle vistas to the raw, unsparing observations in the work of Ed Templeton, the exhibition highlights the diversity of approaches to this shared theme. The images reflect an ever-changing world-one that is constantly evolving, filled with movement, light, and fleeting moments that only a motor vehicle can frame.

"WIND SCREEN: A Visual Study from a Motor Vehicle Opens on the 10th of April at TONER, 61-62 Chapel Street and will be on display from the 11th to the 20th of April. Please email info@tonerpz.com for any other information.

Promotional poster for "Flowing View: A Photographic Work in Progress" by Matt Martin, featuring a street scene at sunset with power lines, a red lantern, and building silhouettes. Exhibition details are included for an event at Toner in Penzance, Cornwall.

Matt Martin – Flowing View: A Photographic Work in Progress
Opening May 10th, 5–8pm | On view until May 31st

Flowing View is a photographic exhibition by Matt Martin, created during his time in Japan in 2023. At its core, the project is an exploration of photography not just as a means of documentation, but as a fluid, ever-changing process.

Through a series of prints and artist books, Martin reworks and reinterprets his images—often revisiting the same frame multiple times. Cropping, layering, sequencing, and printing are treated as acts of play, allowing the photographic material to shift in meaning and form. In this way, Flowing View reflects photography’s ability to be both fixed and in flux, static and dynamic.

This is a work in progress exhibition, intentionally unfinished. It offers the audience a rare opportunity to witness the life of photographs as they evolve. Viewers are invited to take part in the process—reproducing and rearranging elements of the work within the space itself. By opening the exhibition to participation, Martin breaks down the traditional separation between artist, viewer, and curator, turning the gallery into a site of shared authorship.

Flowing View challenges the idea of the photograph as a final object, instead presenting it as something alive—shaped by time, context, and interaction.